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"Trimline" redirects here. For the clear line on the side of a valley formed by a glacier, see Trim line.

A 220 Trimline rotary desk phone, showing the innovative dial with moving thumbstop



The Western Electric Trimline telephone is a variety of telephone set designed by Donald Genaro of Henry Dreyfuss Associates for the Bell System (AT&T). It was built by the Bell System's manufacturing arm, Western Electric. The idea behind the Trimline telephone was to create an alternative telephone set design that was stylish and easier to use than a traditional telephone. This was accomplished by moving the dial from the telephone's base to the inside of the handset, between the earpiece and mouthpiece. The user could then dial a call without having to return to the base. The same concept is now used by all cellular telephone and cordless telephone models. To miniaturize the rotary dial enough to fit in the Trimline handset, an unusual moving fingerstop was used. The Trimline was also one of the first phones to use the predecessor of the now-ubiquitous RJ11 modular phone plug and jack.

First introduced in 1965, the Trimline included a lighted dial and was encased in a sleek, curved plastic housing that took up little space compared to earlier U.S. models. Unfortunately, the glass-smooth and shallowly-curved plastic handset proved difficult to retain between cheek and shoulder for hands-free communication without slipping, and this problem was never corrected over the life of the phone. The first Trimline models used incandescent dial lights powered by a power transformer plugged into a standard 120VAC outlet. The bulky transformer and the need for a conveniently-placed 120-volt outlet was criticized by many consumers, and Western Electric subsequently redesigned the Trimline to use a green LED backlit dial powered by current from the phone line. Always eager to re-use its older stocks of turned-in phones, AT&T later repainted and resold early-model pre-divestiture Trimlines without a transformer as 'non-lighted' models.
The Trimline was made in both rotary dial and Touch-Tone versions. Rotary dial Trimline production began in late 1965 and Touch Tone dials were added the following year in mid 1966. The Trimline was the first U.S. phone to achieve some design recognition in Europe, where it was referred to as the 'Manhattan' model. Today, similarly designed models are sold by many companies. AT&T retained the Trimline name for the later 'Trimline III', a more compact successor featuring squared corners and straight lines.
Early Touch Tone Trimline with round buttons and clear plastic backplate and round non-modular handset cord



Today, AT&T produces the following Trimline models:

• 205
  
• 210 - based upon original design
  
• 265
  

The Rolls-Royce R was a British aero engine designed and built specifically for air racing purposes by Rolls-Royce Limited. Developed from the Rolls-Royce Buzzard, it was a 37-litre (2,240 cu in) capacity, supercharged V-12 capable of producing just under 2,800 horsepower (2,090 kW), and weighed 1,640 pounds (770 kg). Factory testing initially revealed mechanical failures that were reduced by the use of redesigned components, greatly improving reliability. The R was highly successful during its use in the Schneider Trophy seaplane competitions held in England in 1929 and 1931. Shortly after the 1931 competition, an R engine using a special fuel blend powered the winning Supermarine S.6B aircraft to a new airspeed record of over 400 miles per hour (640 km/h). Continuing through the 1930s, both new and used R engines were used to achieve various land and water speed records by such racing personalities as Sir Henry Segrave, Sir Malcolm Campbell, and his son Donald; the last record was set in 1939. Nineteen R engines were assembled in a limited production run between 1929 and 1931. The experience gained by Rolls-Royce and Supermarine designers was invaluable in the subsequent development of the Rolls-Royce Merlin engine and the Spitfire

We feel it running in our blood and veins
Life withdrawn
Eternal mist of dawn
Leave. it's come time to break the chains
Today we will go all the way
And love's all that remains

Come, my love, embrace the death
Rise above the final breath
For my love, it's not in vain
Mist of dawn will take the pain

We are all walking in the sands of time
As we hear
The bells and chimes so near
See how your life can be so cruel
You fall, when you thought you had it all
Only had we had is true

Come, my love, embrace the death
Rise above the final breath
For my love, it's not in vain
Mist of dawn will take the pain

Aa-aa-aa-aa...

Come, my love, embrace the death
Rise above the final breath
For my love, it's not in vain
Mist of dawn will take the pain

The
great day was near and everybody was fucking excited about the new song
that Amy sang with a man called Amy and Steve who sucked badly at the
loving lyrics. Adrenaline was pumping and people were jumping up
because the music was awesome, astounding and strong. The lead singer
of Evanescence cried because joy was overwhelming and joyous and
strong. This caused a big and festival-like party that everybody
enjoyed.

When

lucious

The
great day was near and everybody was fucking excited about the new song
that Amy sang with a man called Amy and Steve who sucked badly at the
loving lyrics. Adrenaline was pumping and people were jumping up
because the music was awesome, astounding and strong. The lead singer
of Evanescence cried because joy was overwhelming and joyous and
strong. This caused a big and festival-like party that everybody
enjoyed.

When the pissed people shouted and fell

The
great day was near and everybody was fucking excited about the new song
that Amy sang with a man called Amy and Steve who sucked badly at the
loving lyrics. Adrenaline was pumping and people were jumping up
because the music was awesome, astounding and strong. The lead singer
of Evanescence cried because joy was overwhelming and joyous and
strong. This caused a big and festival-like party that everybody
enjoyed.

When the pissed people shouted and fell to a

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Emily Ovenden

You are the tide of my ocean, the warm sand under my feet
Lovers drink of the poison and so I lust in defeat

The
great day was near and everybody was fucking excited about the new song
that Amy sang with a man called Amy and Steve who sucked badly at the
loving lyrics. Adrenaline was pumping and people were jumping up
because the music was awesome, astounding and strong. The lead singer
of Evanescence cried because joy was overwhelming and joyous and
strong. This caused a big and festival-like party that everybody
enjoyed.

When the pissed people shouted and fell to a gorgeous Goddess

Gladys Maria Knight,

The
great day was near and everybody was fucking excited about the new song
that Amy sang with a man called Amy and Steve who sucked badly at the
loving lyrics. Adrenaline was pumping and people were jumping up
because the music was awesome, astounding and strong. The lead singer
of Evanescence cried because joy was overwhelming and joyous and
strong. This caused a big and festival-like party that everybody
enjoyed.

When the pissed people shouted and fell to agorgeous Goddess the Goddess

I'm really sorry for your loss, it hurts when someone you love dies, but cherish the memories and keep those pictures.